Like the SSL Buss compressor, it is recommended to use a slow attack and medium / fast release to avoid pumping, but try using 33609 on a parallel bus with more extreme settings and then mix to taste. 33609 does something very special with the mix space, helping its individual elements sound more clearly and clearly. The bass sits inside the mix and the unwanted sharpness is smoothed out.
However, it does shine on the main bus, adding tone and interconnection between the instruments. We use this compressor plugin for a variety of tasks: processing vocals, guitars or subgroups. Automate certain parameters (perhaps a 12-fold increase) to make the effect more pronounced. The UAD version of the EQP-1A has the most noticeable effect on the stereo field, which is why we often use this device for additional sound rallying. Many of the EQP-1A and MEQ-5 emulations are great “finish” equalizers and are perfect for subtle or dramatic tone changes in your mixes. UAD, Waves, Oxford and others also make excellent digital reviews of this widely used dynamic processor. Cytomic even named its product as “The Glue”, and it is on the list of favorite plugins of many world engineers.
#WHAT DOES CYTOMIC THE GLUE SOFTWARE#
Not surprisingly, various companies have developed software emulations. Master Bus Compressor, found in various large format SSL consoles, has long been known as one of the best devices for mixing mixes and gluing them. Cytomic “The Glue” + any SSL console emulation plugin See also: 10 best reverb plugins in the world - 2. Use 7.5 if you want a lo-fi vibe shade and 3.75 (on ATR-102 only) as a special effect. 30 – great for extra bright, polished sound, and 15 – works on most materials. The higher the IPS, the higher frequency you get. Pay attention to IPS (inches per second). The ability to switch between several different types of tapes with one click is an amazing technological feat. The ATR-102 is a bit wider and the A800 is warmer and richer.Įach of these plugins has a large number of controls found on the original devices, but with an increased number of additional functions. The way they affect the stereo field, the connection between the elements and the overall tonality of the mixture, makes them ideal “glue” plugins. Think of them as great sources of saturation, contraction, and all-in-one alignment. Adding one of these classic tape machines will fill the track with harmonics and a more “expensive” shade. Appearance, functionality and most importantly – sound. In our opinion, Universal Audio products are unparalleled in recreating software versions of legendary hardware modules. Consider the most useful plugins for gluing together an entire mix or groups of instruments. Even if a group decides to take a more limited approach, in the digital world there are countless layering, the use of playlists, compilation, capturing an almost unlimited number of tracks, drum compaction with samples, virtual instruments, sophisticated automation and transparent sound.ĭigital reproductions of equipment offer engineers of the old school who switched to the DAW workflow, a sense of nostalgia and some analogue character. This is not a criticism of the style of production, but only an admission that the process of creation is much different from what it was decades ago. We have witnessed the democratization of the music industry. Today – computers, software, hard disk space and production technology – have made the creative process affordable and relatively cheap. Since studio time and tape were so expensive (and the time the engineers worked), the musicians took their work seriously and showed great readiness for recording. Half a century ago, most of the music was created by a properly set and edited group of talented musicians, and then choosing microphones and preamps, the sound was summarized using a large format console or analog tape. Typically, this refers to the type of processing used on the master bus or on subgroups that helps individual instruments sound as if they are inside a mix.
#WHAT DOES CYTOMIC THE GLUE PROFESSIONAL#
You’ve probably heard of such a concept as “Glue” from professional mixing engineers.
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